Kaleidoscope effect

Jewellery kaleidoscope

Exquisite Coco Chanel jewellery decorations

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Fashion fades, only style remains the same. Coco Chanel

Fashion fades, only style remains the same. Coco Chanel jewellery

Coco Chanel jewellery
According to Chanel, the role of jewelry was to decorate an ensemble rather than to flaunt wealth. For that reason she challenged convention by wearing heaps of jewelry, and often precious. Besides, during the day – even for sailing, while for evening she sometimes wore no jewelry at all. But wealthy clients who did not wish to display their costly jewellery in public could wear Chanel creations to impress others. “It’s disgusting to walk around with millions around the neck because one happens to be rich. I only like fake jewellery … because it’s provocative”, Chanel stated.
Lacking any desire to replicate precious jewels, Chanel’s designs, initially made by Maison Gripoix, defied nature in their bold use of color and size. In 1924 she opened her own jewelry workshop, which was managed by Etienne de Beaumont. Beaumont designed the long chains with colored stones and cross-shaped pendants that became a classic of her house.

Traditional Chanel gold a diamond brooch

Logo Gold a diamond brooch

Chanel once said: “A woman should mix fake and real. To ask a woman to wear real jewelry only is like asking her to cover herself with real flowers instead of flowery silk prints. She’d look faded in a few hours. I love fakes because I find such jewelry provocative, and I find it disgraceful to walk around with millions around your neck just because you’re rich. The point of jewelry isn’t to make a woman look rich, but to adore her; not the same thing.”

Coco Chanel jewellery

Coco Chanel jewellery

Chanel wore pearl necklaces longer than one meter

Her oversized fake pearls, worn in multiple strands, were an instant success. In 1926 she created a vogue for mismatched earrings by wearing a black pearl in one ear and a white one in the other. In 1928 she introduced diamond paste jewelry and in 1929 offered “gypsy” necklaces—triple strands of red, green, and yellow beads, as well as colored beads combined with chunky wooden chains.

By the 1930s, costume jewelry embraced bold designs and different influences of styles and cultures, becoming highly fashionable due in part to the influence of style icons such as Coco Chanel.

In 1932 the International Guild of Diamond Merchants commissioned Chanel to design a collection of diamonds set in platinum called Bijoux de Diamante. Having designed fake jewels during affluent times, Chanel now declared that diamonds were an investment.

Along with her current lover, Paul Iribe, she presented a line of jewelry based on the themes of knots, stars, and feathers. The collection was exhibited in her own home in the rue du Faubourg-Saint-Honoré in Paris.

Chanel Gold tone brooch

Gold tone logo brooch

During the 1930s, Fulco di Santostefano della Cerda, duc di Verdura, started to design jewelry for Chanel. He had been designing textiles for her since 1927. Most significantly, di Verdura pioneered the revival of baked enamel jewelry: his chunky, baked enamel bracelets inset with jeweled Maltese crosses were particularly successful.

Christian Bérard also designed occasional pieces for her, and Maison Gripoix continued to make up many of her designs – notably those in romantic floral and rococo-revival styles. From the mid- to late 1930s Chanel’s heavy triangular bibs of colored stones and coins and her silk cord necklaces with tassels of brilliantly colored stones showed influences from India and Southeast Asia.

Chanel Maker's mark

Maker’s mark

Coco Chanel jewellery

1883 Gabrielle Chanel Vonner was born in Saumur, France.
1909 Chanel begins as a hat designer and opens a shop in Paris.
1913 Opens a boutique in Deauville
1914-16 Opens a fashion house in Paris, and in Biarritz.
1923 Represents the perfume Chanel number 5.
1924 She opened her own jewelry workshop, managed by Etienne de Beaumont
1931 She worked with film director Samuel Goldwyn in Hollywood, creating costumes for stars such as Katharine Hepburn, Grace Kelly and Elizabeth Taylor.
1939 Chanel loses fashion house at the beginning of World War II.
1945 She was sent to Switzerland for relations with the Nazi officer.
1954 Newly opened fashion house features a collection.
1960 Robert Goossens became a leading designer of Chanel.
1971 Chanel died in Paris at age 88.
1983 Karl Lagerfeld became the director of the house “Chanel”.

Elegant simplicity of Chanel designs was approved by Christian Dior. The design of her models was filled with common sense. Chanel invented the little black dress, sportswear, cardigan, beach suits, jewelry and famous perfume. The success was so great that on the majority of products of French exports stood her name, though many of them were good copy.

French designer created a comfortable-fitting shape of the clothing of fabrics, such as wool jersey. The loose, straight-cut shapes of Chanel’s fashions and her use of many plain fabrics provided the perfect foil for the lavish costume jewelry that she introduced in the early 1920s. Chanel Style gained great popularity in the 1920-30’s.

Her first shop she opened in Paris in 1914 with the financial support of her lover Captain Arthur Edward ‘Boy’ Capel. Chanel literally burst into the world of high fashion and big business, becoming one of the leading Parisian fashion designers. Chanel was one of the first who opened in her Parisian store boutique of accessories and jewelry, the design of which simply repeated the silhouettes, lines and colors of the clothes, giving each model that unique style of Chanel.

Coco introduced a line of jewellery that was a conceptual innovation, as her design and materials incorporated both simulated and fine gem stones. This was revolutionary in an era when jewellery was strictly categorized into either fine or costume jewellery.

Her inspirations were global, often inspired by design traditions of the Orient and Egypt. Sensual by nature, Coco Chanel found inspiration everywhere: medieval stained-glass windows, Russian icons, Byzantine mosaics, works of antique sculpture, the ancient Egyptian hieroglyphs, and much more.

Chanel Jewellery was sold and is still sold in special boxes, on which is the name of the manufacturer. Each item in the set is always sealed. Chanel’s early works in the antiques market are always sold without the original packaging.

Jewellery made of artificial stone and artificial gold was comparable only to that of products made of pure gold and precious stones. The company went on to produce a collection of Chanel after her death. In 1983, Karl Lagerfeld, becoming director of the company, added to the collection of Chanel products of the new design.

In the late 1920s and early 1930s, Chanel produced a series of enameled brooches of lead, decorated with rock crystal. Most of them – figures of cats and frogs. It is believed that they were made in France, although many of them were made in America. Enamel and rhinestone undoubtedly of the highest quality. Brooches are very rare and change the owners for a very significant amount.

Speaking of vintage Chanel jewelry I first remember her beautiful “Byzantine” bracelets and brooches created in 1930-1940-ies. Regally large decoration of “Russian gold” color, enamels and medieval glowing cabochons, crystals, and pearls. To be stylistically accurate, these decorations were amazingly eclectic, combining elements of historical styles of different eras, from antiquity to the late Middle Ages. But, as a source of inspiration for Chanel were just Byzantine mosaics, seen it Ravenna and Venice, all “historical” Chanel jewelry called “Byzantine”. Such a tradition.

The source of inspiration for designers of jewelry and Chanel were authentic medieval artifacts. For example, the crown of Emperor Otto III, preserved from the X century AD. On the motives of medieval crowns were created several bracelets in a wide gold rim with rows of pearls and large art glass cabochons.

The most impressive Coco Chanel jewellery in “Byzantine” style was made from the late 1930s until the 1960s. Today this style of jewelry has a high value and decorates not only private collections but also collections of major museums in the world.

Coco Chanel jewellery

Symbolic vintage Brooch with Coco Chanel logo CC

Symbolic vintage Brooch with logo CC

Symmetrical brooch. Glass, imitation pearls, metal, gilding. 1950 (left). Oval-shaped brooch. Glass, imitation pearls, rhinestone, metal, gilding. 1930 (right)

Symmetrical brooch. Glass, imitation pearls, metal, gilding. 1950 (left). Oval-shaped brooch. Glass, imitation pearls, rhinestone, metal, gilding. 1930 (right)

Some people think luxury is the opposite of poverty. It is not. It is the opposite of vulgarity

Some people think luxury is the opposite of poverty. It is not. It is the opposite of vulgarity

Maison Gripoix for Chanel. cast glass, gold-plated metal. 1930

Maison Gripoix for Chanel. cast glass, gold-plated metal. 1930. Necklace and earrings

Nature gives you the face you have at twenty; it is up to you to merit the face you have at fifty. Coco Chanel

Nature gives you the face you have at twenty; it is up to you to merit the face you have at fifty

Mademoiselle Coco pendant-brooch

Mademoiselle Coco pendant-brooch

Cross of Byzantine style, vintage brooch-pendant. Coco Chanel jewellery

Cross of Byzantine style, vintage brooch-pendant

My friends, there are no friends

My friends, there are no friends

vintage brooch-pendant. Coco Chanel jewellery

vintage brooch-pendant

Massive gold jewellery alloy bracelet, Coco Chanel jewellery

Massive gold jewellery alloy bracelet

Earrings with pendants. metal, gilding, imitation pearls, cabochons. 1970

Earrings with pendants. metal, gilding, imitation pearls, cabochons. 1970

Luxurious Coco Chanel jewellery - bracelet

Luxurious bracelet

A woman has the age she deserves

A woman has the age she deserves

Golden Byzantine style Coco Chanel brooch

A necklace of cultured pearls, metal, gilding (engraved CC - Coco Chanel logo). 1980

A necklace of cultured pearls, metal, gilding (engraved CC – Coco Chanel logo). 1980

Beautiful brooch

Brooch with opals by Chanel

Beautiful bracelet

Beautiful bracelet

Coco Chanel jewellery

Byzantine style bracelet

Byzantine style Coco Chanel

Jewelry in Byzantine style

Byzantine style Coco Chanel

Brooch Byzantine style

A necklace of cultured pearls, metal, glass beads, fake diamonds, 1970

A necklace of cultured pearls, metal, glass beads, fake diamonds, 1970

Brooch in the form of a bow of flowers. green, blue and red molten glass beads, transparent rock crystal, fake pearls, metal, gilding. The most rare and complex cross motif. 1930

A bow of flowers brooch. green, blue and red molten glass beads, transparent rock crystal, fake pearls, metal, gilding. The most rare and complex cross motif. 1930

Brooch in the form of a dragon, Maison Gripoix for Chanel. metal, gold-plated, cast glass. 1940

Dragon brooch, Maison Gripoix for Chanel. metal, gold-plated, cast glass. 1940

stylized flower, cast glass, imitation pearls, rock crystal. Rare brooch of complex design. 1920s

stylized flower brooch, cast glass, imitation pearls, rock crystal. Rare brooch of complex design. 1920s

Mr Punch, the movable head. Lead with enamel, rock crystal. 1920

Mr Punch brooch, the movable head. Lead with enamel, rock crystal. 1920

Brooch. cabochons, imitation pearls, rock crystal. 1970

1970s Brooch. cabochons, imitation pearls, rock crystal

Brooches and earrings. cast glass, rhinestone, imitation of pearls. 1920

Brooches and earrings. cast glass, rhinestone, imitation of pearls. 1920

Exquisite Byzantine style Coco Chanel jewellery

Exquisite Byzantine style jewellery

Exquisite Byzantine style Coco Chanel jewellery

Fabulous Byzantine style earrings

Byzantine style Coco Chanel jewellery

Gold alloy Byzantine style jewellery

Earrings with pendants. metal, gilding, imitation pearls, cabochons. 1970

Earrings with pendants. metal, gilding, imitation pearls, cabochons. 1970

Rare brooch in the form of a frog. colored enamels on lead, transparent crystal. 1927

Frog brooch. colored enamels on lead, transparent crystal. 1927